Kelly’s relationship with faith is complicated, but this is the song that most clearly lays out how his spiritual universe works — a hymn to beauty, love, faith and kindness. [6] The Paul Kelly Band was formed in 1983, however by late 1984, Kelly had disbanded this group. Geddit? "—" denotes releases that did not chart or were not released in that country. Goes on for about a chorus and a verse too long — but it’s sweet. Spring and Fall - 2012. Paul, I love you, but you can’t just rhyme ‘street’ and ‘sweet’ like that. No other modern musician has managed to both reflect and alter the tastes of our nation. Maybe the most tragic, pathetic song in the entire Paul Kelly back catalogue. Kelly’s barest attempt to take the Woody Guthrie formula and make it Australian. God’s Grandeur 12. [4] Their single "Alive and Well", from the second album, Manila, had a video clip directed by Jack Egan in July 1982. It was released on 15 November 2019 through Gawd Aggie and EMI Music Australia, and debuted atop the Australian albums chart. All of them. While his colleagues have been relegated to the dustbin of musical history, Kelly has remained as urgent and as cutting edge as ever — perhaps a strange thing to say about a man best-known for singing a song constructed around a gravy recipe. Still. And he’s one of the best of us. Comedy - 1991. Kelly doesn’t always excel when he goes for uncomplicated kinds of sadness — subtle melancholy is his better beat, and this overzealous song proves it. "Sleep, Australia, Sleep" did not enter the. A Raymond Carver short story, set to spare instrumentation, and held in place by one of Kelly’s most understated choruses. Why are there quite so many sexy songs on Wanted Man? Kelly would do this brand of hopelessness much better, and very soon. A beautiful song about pretending to be happier than you actually are. Lacks some of the venom it needs to truly sing. Doesn’t really work. “Girl you shoulda seen me in my prime/I see old friends at funerals now and then.”. Like two hands reaching out into the dark, striking nothing. Possibly Kelly’s most impressive guitar solo. An entire way of living, transformed into song. Paul Kelly’s voice has never ached like this before. In which Kelly thanks himself for being born at the same time as his beloved. [4] "Dumb Things", another single from the album Under the Sun, was released in 1988 in Australia,[4][8] and the US. In both cases, he keeps the listener at something like arm’s distance, taking the Bob Dylan route of appearing like an enigmatic and slightly alien poet. Wild that a song this direct and simple was co-written by five different musicians. Possibly the most batshit song of Paul Kelly’s bluegrass period — a mix of weird, spoken-word poetry and an anachronistic chorus. Kelly in the Hank Williams mode, doing dusty songs of heartache. Mushrooms 10. A musical apology. An alleyway, caked in rain, in the middle of the night. As a treat! So often, Kelly’s songs make even disrepair sound elegant — here, he doubles down on the grit and the dirt of the universe, making all of human existence seem like one long, painful bout of suffering without no clear end. Paul Kelly Lyrics. A warped rocking chair, left out in the rain. Never thought you’d hear a Paul Kelly song with a string of grunts carrying the melody, hey? 15. [3], In August 1978, Paul Kelly and the Dots was formed from the remains of Melbourne band High Rise Bombers. The Merri Soul Sessions - 2014. [2][4] "To Her Door" was released in September 1987 and peaked at No. That harmonica solo cuts like a dagger. It’s just impossible to get over how strange it is to hear Kelly do Shakespeare — in the style of Tom Waits, no less. A straight-up-and-down pop song — unabashed and plain. Unbearably romantic. Given how perfectly suited his songs are for driving, it’s surprising that Kelly hasn’t written many songs about road trips — save this one, a gentle bop about heading out for the country with your mates. There are hints of regret and introspection in the lyrics, but overall, you get the feeling he is merely shrugging his shoulders and preparing to do those dumbs things all over again. Weird, and unpredictably horny, and really rather good? [2] In 1979, they released their debut single, "Recognition", on Mushroom Records and followed with other singles in 1980 including "Billy Baxter" in October, which peaked at No. A bunch of cars pushed off the top of a skyscraper, it’s this big, impossibly rollicking thing, held in place by one of the catchiest choruses in the man’s back catalogue. The rare “angry Paul Kelly.” Crawls on all fours. A song that gets smaller by the end of each and every line. Kelly and Sylvia Plath might not seem like the most obvious collaborators, but here the former sets a poem by the latter to music, creating something delicate and eerie. Thrillingly by-the-numbers. Nature (2018) After the bleeding vitality of Life is Fine, it shouldn’t have been a surprise that Kelly … Sad, torn-up, and beautiful. Released by Paul Kelly as a solo artist or with the Paul Kelly Band. He’s never sounded quite as vindictive as he does here, his voice cartwheeling all over the place, turning on itself. It’s also joyously ugly. 105 tracks are listed alphabetically, they were typically performed over four nights. With Australia’s greatest and most enduring songwriter, Paul Kelly, brings fans ‘Songs From The South 1985-2019’, a collection of songs that spans the depth and breadth of his illustrious career including recent studio album releases, ‘Life Is Fine’ and ‘Nature’., UMA keep the … Discover releases, reviews, track listings, recommendations, and more about Paul Kelly - Songs From The South - Paul Kelly's Greatest Hits at Discogs. Cribs from the eternal sadboi Hamlet to craft the eternal sadboi anthem. With its complex production and poppy chorus, this barely feels like a Kelly song at all — but it really works, brimming with light and energy. The discography of Paul Kelly, an Australian rock artist, includes solo releases, those from various bands that Paul Kelly has led, and material from the related projects Professor Ratbaggy and Stardust Five which contain the same personnel as his bands. The songs are drawn from Kelly's previously released albums issued between 1985 and 1996. Slowly builds itself to pure, existential heartbreak. The promise of a good time set to bluegrass. In which Kelly tries to go back to his pub-rock roots, and recapture the past. Written for the soundtrack of The Final Quarter, a documentary about the virulent racism that Adam Goodes faced throughout his career, this is a song that confronts the ugliness of Australia head-on, while finding resilience even in the pain. Let me live, Paul Kelly! A dustbowl with a melody plonked right in the centre of it. This was a shared single with Jo Kennedy's "Body and Soul" on one side and Paul Kelly and the Dots "Rocking Institution" on the other side. The Trees He doesn’t just show us how our country is — sad; uncertain of itself; obsessed with minutiae — but how it can be. Paul Kelly song lyrics collection. Like, in a good way. With a large lineup and three songwriters, the band's splintering was inevitable and Kelly formed his own group, Paul Kelly & the Dots. A big old door, made out of varnished oak. Kelly’s not always a politically-minded singer-songwriter; his music examines very basic human relations, not the things that happen when we get together and start legislating each other. Only Paul Kelly would take one of the greatest short stories ever written — Raymond Carver’s ‘So Much Water, So Close To Home’ — and turn it into a paean to forgiveness and hope. And here, that image is laid out in striking detail, backed by haunted, cooed melodies. Just for you! This is another Paul Kelly song about sex, so your enjoyment of it will be entirely dependent on how much you want to hear Paul Kelly singing about sex. Featuring a guitar solo that feels like ten miles of bad road. But like, way sadder. Words by Joseph Earp. sort by album sort by song. Top 100 (ARIA) peaks from January 1990 to December 2010: This page was last edited on 28 January 2021, at 12:00. Like diner coffee: a little thin, too sweet, but hits the spot just fine. Bands include Paul Kelly Band, Paul Kelly and the Dots (1978–1982), Paul Kelly and the Coloured Girls (1985–1988), Paul Kelly and the Messengers (1987–1991), Paul Kelly and the Boon Companions (2004–current) and Paul Kelly and the Stormwater Boys (2005). Listen free to Paul Kelly – Paul Kelly's Greatest Hits: Songs From The South: Volume 1 & 2 (From St Kilda To Kings Cross, Leaps and Bounds and more). Only Paul Kelly could sing a whole song about cross-city transit and somehow make it the most moving thing in the entire world. A throbbing promise that things do eventually get better. Weird! A song that demands isolation — from the world; from your own thoughts. Dylan pastiche. This song gets even sweeter if you imagine Paul Kelly standing at your door, surrounded by pouring rain, singing it to you. Paul Kelly: our most honest and direct chronicler of what mateship actually means. Like sinking into a comfy leather armchair. Kelly’s anger reduces everything to its most simple, basic form, here — it’s as clean as a prayer, as jagged as a joke scrawled on a toilet door. Like the end of the world. The story of Indigenous artists Queenie McKenzie and Rover Thomas, ‘The Ballad of Queenie and Rover’ mixes the political with the personal to charming and powerful effect. Paul Kelly Official Website. A work of lopsided genius. ‘Atmospheric’ isn’t necessarily the word you’d always associate with Kelly, but here he trades his usual literalism with strange, esoteric melodies and some of the vaguest poetry of his career. Kelly at his most uplifted and clear-eyed. You just can’t. ‘Sonnet 18’ gains from borrowing from Shakespeare’s most famous sonnet, and also from its simple, stripped-down production. Kelly’s falsetto feels like a bath tub of shattered glass. ‘To Her Door’ isn’t just the best Paul Kelly song; it’s also the most Paul Kelly song. Shop new releases, music exclusives, limited edition merchandise and more on Paul’s Official Store. Heartbreaking. In this song, one of our country’s most accomplished and talented musicians looks back over his entire career, and considers his impact on the world around him and the people that he loves. Like someone tried to strip out all the specifics from Paul Kelly, just to see what might get left behind. Kelly at his most playful, finding great delight in pulling all of his toys out of their box. In which Kelly surveys his own discography, and gives one of his biggest tunes a coda.

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